REVERBERATION

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PLASTICITY

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IMPULSE

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PERFORMANCE

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CRITIQUE

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ANALYSIS

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RESEARCH

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REVERBERATION • PLASTICITY • IMPULSE • PERFORMANCE • CRITIQUE • ANALYSIS • RESEARCH •

Abstract teal spiral design on beige background with the word "inner stages" partially visible at the bottom corners.

BLOG

Featured
performance, contemporary, critical, glitch, queer, technocapitalism, internet, algorithm, bias, racism
Economic Exploitation: Commodifying Identities for Profit
performance, contemporary, critical, glitch, queer, technocapitalism, internet, algorithm, bias, racism
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performance, contemporary, critical, glitch, queer, technocapitalism, internet, algorithm, bias, racism
performance, contemporary, critical, glitch, queer, technocapitalism, internet, algorithm, bias, racism
Algorithmic Bias: The Invisible Hand Shaping Queer Content
performance, contemporary, critical, glitch, queer, technocapitalism, internet, algorithm, bias, racism
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performance, contemporary, critical, glitch, queer, technocapitalism, internet, algorithm, bias, racism
performance, contemporary, critical, glitch, queer, technocapitalism, internet
Queer Visibility: The Double-Edged Sword of Online Platforms
performance, contemporary, critical, glitch, queer, technocapitalism, internet
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performance, contemporary, critical, glitch, queer, technocapitalism, internet
audience, performance, participatory, dance, contemporary, critical
Audience Dynamics: How Museum Settings Change Dance Spectatorship
audience, performance, participatory, dance, contemporary, critical
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audience, performance, participatory, dance, contemporary, critical
audience, performance, participatory, dance, contemporary, critical
Technocapitalism: Defining the New Digital Economy
audience, performance, participatory, dance, contemporary, critical
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audience, performance, participatory, dance, contemporary, critical
choreographer, dance, museum, exhibition, archive, performance
Adam H. Weinert’s "The Reaccession of Ted Shawn"
choreographer, dance, museum, exhibition, archive, performance
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choreographer, dance, museum, exhibition, archive, performance
choreography, participatory, museum, exhibition, dance
Boris Charmatz's "Musée de la Danse"
choreography, participatory, museum, exhibition, dance
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choreography, participatory, museum, exhibition, dance
performance, dance, museum, modern, exhibition, audience, public, contemporary, performing, artist, participatory, choreography, art
Anne Teresa De Keersmaeker's "Work/Travail/Arbeid"
performance, dance, museum, modern, exhibition, audience, public, contemporary, performing, artist, participatory, choreography, art
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performance, dance, museum, modern, exhibition, audience, public, contemporary, performing, artist, participatory, choreography, art

diary

Featured
LIFE AS THE INFORMER
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The Revolution will be validated
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INSTAGRAM

In the digital age, self-expression has become a product. Platforms like Instagram and TikTok prioritise profit, enforcing stability over fluidity and shaping identities to fit marketable frameworks. Read the full article on Inner Stages of Substack.
Algorithms dictate what we see and how we’re seen online. For queer communities, these systems stabilise fluid identities and commodify difference for profit, sidelining non-normative expressions in favour of marketable ones. Digital visibilit
Digital platforms have become spaces for queer voices to thrive - but at what cost? While offering representation and connection, these platforms often commodify identity, promoting marketable versions of queerness and sidelining authenticity. From
Dive into the world of technocapitalism where digital platforms shape not only our online behaviours but also how we construct and express our identities. This carousel explores: 1️⃣ The fusion of digital technology and capitalism. 2️⃣ How platforms
🌀 Museums are reshaping dance spectatorship—bringing audiences closer, encouraging movement, and turning viewers into active participants. Read the full article on our website and Substack. #DanceInMuseums #InteractiveArt #AudienceEngagement #
Explore Adam H. Weinert’s transformative project, “The Reaccession of Ted Shawn.” Discover how historical choreography is revived and reimagined in contemporary museum spaces, bridging the past with the present. Read the full artic